This is a tone combo that almost every guitarist recognizes as the magic blend used by Pink Floyd's David Gilmour, most notably on the Dark Side of the Moon and Animals tours, and likely in the studio as well, during the recording of his first solo outing. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. I picked these pedals because they are widely known and commonly available, but just about any blend of analog (or simulated analog) and digital delay will do the trick. Mimic, HSH to SSS and SSH (board little Mind). The Caverns by Robert Keely has a modulating reverb setting and a delay. You don't want to get all crazy and wash it out. im not attacking you at all man.. just telling you to call the builders and ask them whoever that was fed you some bull{censored}! Tim Pierce Premier Guitar Rig Rundown. I was never terribly enamored of the added saturation the boost added to the Tim--more over-caffeinated OD than distortion. Lol. fender original tele 50s, 24 The TIM I had could get some of the sounds A/B'd direclty with a klon and vice versa (gritty boost, fat clean boost) BUT they are different in too many aspects to really be comparable. Two of them employ NOS through-hole germanium diodes, while the other three substitute modern silicon ones. You are using an out of date browser. Seller assumes all responsibility for this listing. It is a little dark, especially with humbuckers, so I use the tim to take away a bit of bass sometimes, and it helps the pedal cut through better. Literally, you could spend the rest of your life trying combinations. To explain this, Ill paraphrase Jim Gaffigan, Of course, cops like ambient clean guitar tone. If youve never tried to stack drive pedals, you owe it to yourself to give it a shot. Call 66 one 874- 92seven 71998 Fender Stratocaster master built one of a kind Senior master builder Act, Esparza build this special guitar. Finding the optimum gain staging between pedals is important. Obviously, the less distorted your amp setting, the more you can influence the sound with drive pedals. Is there a decent budget pedal that would push the Tumnus over the edge for solos and be heavy/crunchy and not lose mids on its own as needed? Actually there are TWO of us saying that they are similar in sound. whats up with klons on ebay anyway GHEY the tim is the timmy with a boost and effects loop. Based on the Klon Centaur, somewhere between Transparent and TS-style. Are the highs the same? I was running the Timmy into my Klon KTR - but last night I tried Klon KTR into the Timmy and liked the sound WAY better, so that is the way it is staying on my board - for what it is worth. By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Basically, you take two delay pedals and you sync them together. The Keeley Electronics Red Dirt Overdrive guitar pedal delivers classic drive, plus amazing sonic versatility that makes it at home in any musical setting. 98499 Hours: Week Days 11:00am to 6:00pm Week Ends Noon to 5:00pm Other times available by appointment call 360-701-8795 They boost other effects and add a nice thing to the pick attack and note bloom when they are first. Most of the time the pedal for a clean boost for leads is after all dirt.. ( still before the klon, imo ) Try it both ways: TS>Timmy>Katana>Klon to use the Katana as a clean boost. EUR Even in the simplest rigs, there are a lot of considerations. You will be surprised by how much your tone is altered by each small change. Wren and Cuff makes a superb Ram's Head clone, with the Caprid, and excellent Colorsound Power Boost clones are available from Buffalo FX, ThroBak Electronics, and others. Some pedals sound better turned up or driving your amp harder. Used (normal wear), 2000s Reissue of the Classic Tube Screamer Overdrive used on countless songs. Know What You Have, Decide What You Need Next. I finally understand that the Klon sounds better being goosed itself. My favorite pedal combination for this maneuver is a warmer, murkier analog delay, like the MXR Carbon Copy, running into a cleaner digital delay, like the Boss DD-3. The Blucoil 9V 670mA Power Supply is ready to rock with your favorite BOSS, Dunlop, Line 6, LR Baggs, MXR, Nobels, NUX, Orange Amps, Peterson, TC Electronic, Xotic, and Zoom effects pedals. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should. i tried stacking overdrives but i didnt like it too much. The 1.7 was always my favourite, but ever since I began running the 2.0 in 18-volt mode it's kind of in the lead. A whammy works well for this, too, if you want to use it. I'll probably do Katana, TS, Timmy, Klon. Cookie Notice Oops, looks like you forgot something. im not challenging you to do anything man.. simply said- call paul and bill ask them what their circuits are based on. thanks for playing! When they combine, you hear the quarter note hit the dotted eight, like a rhythmic punch into each other. Seriously, just try them both ways and see what you like. I typically like to keep each pedal's volume around unity (perhaps slightly higher on the Tube Screamer), with gain at about noon on the RAT, and at about 9 or 10 o'clock on the Screamer. For a better experience, please enable JavaScript in your browser before proceeding. Match the volume control so the level is the same when the pedal is engaged/disengaged. You have all kinds of builders doing that nowadays. I've got a Timmy and a Tumnus arriving tomorrow. and don't attack me asshole, I'm asking about what I've been told. Use a lot of subs, like 75% sub octave and a little bit of high octave, which helps replicate the OT-10 setting. Both pedals have an external tab jack. It does a lot of crazy stuff, but I'm going to just set it as a big ambient wash. Then I'm going to take one of my Kodiak tremolos, and I'm just going to let it pulse and trim the decay of the reverb and the clean signal. Light Gain Overdrive + Medium Gain Overdrive = Heavy Overdrive. Mooer's Blues Crab should be a solid budget option. Besides the obvious bump in volume, many boost pedals like the ZVex Super Hard-On round out dull tones by adding a sparkling sheen to the top end. But if you do it in a faint way, it's really, really special. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should.. Here are a handful of perfect pedal pairs for creative tone stacking. Here are 5 tips to understand as you begin to stack pedals: The last pedal in the stack has the biggest influence on the overall tone. This next one has been around for a while, since before people even started stacking pedals. I think this is going to help you be heard. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. Running the most transparent or lowest gain OD first seems to work the best for me. Stack the Tonebender and the Supro-y overdrive to cop Jimmy Pages tones. Running a Blues Breaker into a Klon is a fairly well-known tone recipe these days, with John Mayer being perhaps the most famous proponent of this setup. It's something that you absolutely have to try: tremolo and reverb. For those who just want to get down to business, however, or those who have other grown-up sorts of obligations that might prevent them from sitting around twiddling knobs for hours, there are a handful of proven pedal pairs that are widely known to stack nicely. You are using an out of date browser. In truth, just about any low-gain, gently mid-focused boost or drive pedal should do the job in this scenario if set up correctly. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Turn the pedal on and play the same chord. Fuzz pedals add a different color palette to your overall sound but function in pretty much the same way as any other drive pedal. Item location: Tacoma, Washington, United States. It's rich, it's thick, it's all the things you love about the Big Muff, but it's just stronger and better. For example, a blackface 65 Fender Princeton already has the reverb and tremolo effects built in. Privacy Policy. Learn More, We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. Fuzz + Tube Screamer = Fuzz That Cuts Through The Mix. Your purchases also help protect forests, including trees traditionally used to make instruments. The possibilities are endless. Thats a rule. I hate it as a clean boost. For a better experience, please enable JavaScript in your browser before proceeding. Then stack that pedal with another gain flavor, and you have two distinct amp tones that can both be overdriven. I'm a true fan of stacking overdrives. I get asked about it a bunch but I plead the fifth. NoI'm referring to the fact that in a side by side comparison, with the same guitar, plugged into the same amp, with the EQ set flat, the overall gain structures of each pedal from clean to max have a nearly identical tonal signature and response/feel. Electric Guitar. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. Youve got to keep the modulation and the effect level of this kind of low. Although I'd admit I owned the TIM (not the Timmy). How do you like it? Guitar volume knob cleanup varies from pedal to pedal, and some pedals coax your mind and fingers to work in different ways than others. Power Your Creativity . Original models of the Klon have now become some of the most sought after guitar pedals ever made. Oh I'm not purchasing the insanely priced Klon, will wait for the new one being released this year. This way: Katana>TS>Timmy>Klon if you want to use the Timmy as clean boost and the Katana as a way to get more gain/compression out of the TS and Timmy. Designed in collaboration with Joey Landreth, the Golden Boy is an end-all BB-style pedal. Some fuzzes, for example, get too dampened and muddled by the inclusion of other dirty tones. You can make the screamer side of this cleaner and get kind of a transparent sound, and then the distortion side definitely has heavy mids. It is a more musical-sounding overdrive that blends in beautifully with amplifier crunch - perfect for when youneed even more harmonic complexity. Our contender klones have modern surface-mount components, which facilitate automated production and keep list prices low. I haven't had much luck with Klones and stacking with other dirt pedals. Electric Guitar Gibson Fender Ibanez Yamaha PRS Guitar . You must log in or register to reply here. Congratulations. Powered by Invision Community. Here are a handful of perfect pedal pairs for creative tone stacking. Have you ever used more than one distortion pedal at a time? Theres one at my local GC for $50. My current set up is a fender player series strat (MIM) into a 65 deluxe reverb reissue. I actually tried my OCD with a Voodoo Lab Sparkle Drive Mod, which has 4 gain stages and is more versatile. It's fantastic and infinitely tweakable and great for people who like to try different styles of overdrive sounds, and who really want to try something other than a Tube Screamer. The Tim is a honking big piece of pedal metal. A lot of you guys might not realize that some overdrive circuits are simply gain stages cascading into each other. How are you running the two pedals gain wise? Does anyone stack their klone (I'm looking into the ARC EFFECTS one) into a timmy? Hi all, I'm recently going through an extensive upgrade of my pedalboard and I have come across a wide range of options when it comes to gain pedals and the more complicated issue of stacking. You let one run quarter notes, and the one after it runs dotted eighth notes. The Klon will be always on so technically Katana is my only clean boost that'll be there to push the OD more. Might not be the awnser that you are expecting , but do you have a good amp? . and our All of these are great versions of the Klon circuit, and for what I'm using it for, you can't tell a difference. For rocking out your overdrive and distortion with the same pedal, you can always go back to the old classic: Jekyll and Hyde. All drive pedals have an inherent sound and EQ curve. For example, if your fuzz pedal sounds best to you with the gain set high, treat it like a heavier-gain pedal. This topic is now archived and is closed to further replies. Ha. The trick with this setup is to keep the output of the Power Boost set modestly, to avoid excess saturation, and play through a big, clean amp with lots of headroom. The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. If you want to see the reason this is cool, turn the drive knob up. Set the octave up with about 50% dry signal, if you have that option. The best part is that when I play these pedals together, they're going to be syncopated. I hope this primer on stacking distortion pedals helps you find more sounds that inspire you to create more music. I use a JHS Morning Glory V4 but you've got options. Some people use a Tube Screamer. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. These are just things that I stumbled into, things that I was inspired to do by artists that I love. It's wide and tall. You must log in or register to reply here. ZVex actually has to have this in one case for this reason. It may not display this or other websites correctly. It has some great stacking possibilities. Sep 2, 2016. It kind of has a scoop and a lot of people complain, Dude, I turned my Big Muff on, but we're in a band setting and I disappear out of the mix. Which 100% makes sense, honestly, because mids are super important to make you stand out in that mix. So what do you guys think? The last pedal in the stack has the biggest influence on the overall tone. With over 28,000 articles and counting, inSync is your FREE resource for breaking news, reviews, demos, interviews, and more. So you can use a Tube Screamer, but I personally use a Klon Centaur when Im jamming at my office. Doesn't quite answer your question but I have an OCD version 1.7 + 2.0. . The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. The GT-500 is a great two-in-one, and like my Double Barrel or some of these others, you have an order toggle so you can choose which side comes first. I could have taken one of any 40 boosts and put it somewhere in this two pedal setup and change the entire overdrive sound for this setup. Myself? It is a very nice boost which you can then dial in the amount of grit you want. With overdrive pedals, there are some really good options: you have the JHS Double Barrel, which has the Morning Glory and the screamer already in it. One option is to set them up to be multiple gain stages. so its nice that you think you know what you are talking about mr 'ive worked in fields.'. It tastes like heaven. Stacking experiments are a wonderful way to come up with new, interesting sounds, potentially leading you to write new music, play guitar in a way you haven't before, or even find your signature tone. If so, youve officially stacked its that easy. This website uses cookies to improve your experience.
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